Selected projects unfolding across image, text, sound, and urban research.
Works at the boundary of documentary and fiction: Homo Camcordus, the Thessaloniki-screened explorations of witnessing and perception, and earlier festival projects with intothepill, examining collapse, simultaneity, and urban time.
Short actions, image sequences, and threshold-events developed across photography and video. Gestures that register a moment of instability rather than a fixed event.
Long-term dialogues with artists, writers, choreographers, and theorists. Includes collaborative works with Yiannis Grigoriadis (The Dialectic of Reconstruction, Decades, Origin, Ökumene) and ongoing collective research across sound, performance, and editorial practice.
Noise, ritual, and the city as moving body.
A lifelong investigation into memory, disappearance, and the fiction of evidence. Photographs, textual fragments, notebooks, and personal/urban archives form a shifting constellation where documentation dissolves and reappears as narrative. A body of work that expands continuously, folding lived experience into its own evolving mythology.
“Forgetfulness is our dominant passion.”
Editorial work, poetry–theory, experimental book formats, and image–text editions exploring the instability of language, documents, and memory.
Long-term photographic research grounded in urban observation, serial image-making, and the poetics of appearances and disappearances. The work spans more than two decades of continuous engagement with the city and its unstable realities.
© Yiannis Isidorou_all works and materials, 1991–now
![2013 Rebuilding Dialectics SalonDeVortex[@cheapArt] Athens, Jan. 24 >Feb.18](https://isidorou.com/wp-content/uploads/2019/12/32_ab4rebuilding.jpg?w=408)
yiannis isidorou 