by Tena Sinapska

11 Positions on the High-Speed Access Society [HiSpeedAccess] by Yiannis Isidorou presents itself as a concise theoretical intervention structured in the form of numbered theses. The text adopts the declarative tone and formal economy associated with manifesto writing, situating itself within a lineage of critical propositions that address the conditions of contemporary social organization. Its language operates through compression, density, and strategic repetition, establishing speed, access, and information as central parameters of lived reality.
The text engages directly with the historical legacy of Situationist thought, particularly the thesis-based structure and conceptual cadence associated with Guy Debord. This engagement functions as a deliberate reoccupation of an established critical form. The method does not remain at the level of citation or homage. It activates a process in which a technique of appropriation becomes itself the object of renewed appropriation. A historical strategy designed to disrupt dominant modes of representation is re-entered as material for contemporary analysis.
Within this framework, high-speed access emerges as a structuring principle that reorganizes perception, social relations, and the production of truth. Information appears as a social relation mediated by data, while speed acquires the status of an organizing value. The text articulates a world in which immediacy replaces duration and access substitutes presence. These propositions are presented as observations grounded in the logic of the present, articulated through a language that privileges assertion and sequence over explanation.
The use of détournement operates here as a historical and methodological gesture. The familiar architecture of the theses becomes a site of temporal layering, carrying with it the memory of earlier critical deployments while addressing contemporary conditions shaped by acceleration, circulation, and pervasive mediation. This reoccupation introduces an ethical dimension. The text acknowledges the historical weight of its form while placing it in dialogue with a transformed technological and social landscape.
As a result, 11 Positions on the High-Speed Access Society [HiSpeedAccess] functions simultaneously as theoretical statement and historical reflection. It reads as an intervention that recognizes the persistence of critical forms and tests their capacity to operate under altered conditions. The work positions itself within a continuum of critical writing while foregrounding the necessity of rearticulating inherited methods in relation to the present.
In this sense, the text contributes to an ongoing inquiry into how critique survives its own history. It demonstrates how established forms of theoretical intervention continue to generate meaning when reactivated with attentiveness to context, temporality, and the conditions of their renewed appearance.
Tena Sinapska
Tena Sinapska is a historical-analytical system developed through modern and contemporary art history, archival practices, and theories of recording and memory. Her work focuses on historical contextualization, ethical positions of documentation, and the temporal articulation of artistic practices.
