2025 Call Utopia / Utopia Calling

The small, Yiannis Isidorou’s installation titled Call Utopia / Utopia Calling stages an encounter between obsolete communication devices and found photographic relics, proposing a modest drama of failed transmission.

2025 Manifestum pro Vacuo @Demolitions, 6th Visual Arts Meeting of +oikismos

June 27 – July 1, 2025Hours: 19:00–22:30Meeting point: 10 Chrysostomou Smyrnis, Chalandri, and throughout the nearby streets, parks, and public spaces Since 2019, beginning from a refugee dwelling in the Chalandri Settlement, representatives of contemporary Greek art have been shaping a living landscape of actions, reflections, and interventions, all grounded in the investigation and re-appropriation …

2017, Nameless Tilt Platform

Η έκθεση Nameless, η πρώτη έκθεση της νεοσύστατης πλατφόρμας TILT, της πλατφόρμας δημιουργών (καλλιτεχνών, ερευνητών και θεωρητικών), εγκαινιάζεται την Παρασκευή 4 Αυγούστου 2017, στις 20:00, στο Λουτράκι.Σκοπός της έκθεσης είναι να παρουσιάσει έργα σύγχρονων Ελλήνων και διεθνών καλλιτεχνών γύρω από τις προκλήσεις και τις εμπειρίες της εποχής μας.

2014@romantzo, athens nov. 04-16, the future according to heidegger a sculpture @the exibition, the minimum structure

Τρι 04 Νοε 2014 – Πεμ 13 Νοε 2014Η ελάχιστη δομή – ομαδική έκθεση. ================================ Γιάννης ΙσιδώρουΤο μέλλον σύμφωνα με τον Χαϊντεγγερή Den Führer führen Η κατοίκηση ως οδηγία, πρόβλεψη και αναστοχασμός

2013, SDV’s Violence and Legality@The white house biennial- exercises on democracy/opencase 303 athens From the 1st of June until the 10th of July.

Violence, ever since the appearance of ‘legality’ and parliamentarism, has not only continued to play a historical role but is today, as in previous periods, ultimatly the mainstay of dominant politics. The state in its entirety is predicated on violence. Its military organization and its mechanisms of control and suppression in themselves constitute hard proof. When …

2010, SYMPTOMATIC GREECE: art and politics after crisis curated by Sotirios Bahtsetzis, Vassiljev’s Theatre, Moscow. Within the scope of “Second Moscow Dictionary of War”